Thor: The Dark of the World is a total gamechanger for evil, spaceship-flying elves and hammer-throwing Norse gods. Thanks to director Alan Taylor’s past work on Game of Thrones, we’re getting to see the fantastical Asgard through the lens of reality, which only makes it more badass. Read what Taylor pushed for from Marvel, why the throne room had to explode and why man-braids are an integral part of Thor 2. Advertisement Some minor spoilers ahead! io9: There’s a lot more fantasy in this film than in the previous film (which was mostly set in New Mexico). Did Game of Thrones help prepare you for that? Alan Taylor: I think Game of Thrones was critical to me being able to do this movie, and being able to feel like there is a straddling of reality and fantasy. I sort of thought that I had already been in that process [in GoT ]. Also, from the other side, I think Marvel was interested in me because of Game of Thrones — by bringing me on, we all know what we’re talking about here. It’s trying to find that balance where it’s fantastical but you don’t disbelieve it. For me, it was… Read full this story
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