Space travel is so cool. The god-like views, the way everything syncs so well to pop music, the knowledge that history is being made. Yeah, it's great—until you get incinerated in an automated engine blast, or crushed by a ship rolling over your body, or your visor is shattered by a cable whipping crazily in the void. Then it kind of sucks. For All Mankind shows both sides. Watch Matthew Modine talks “Stranger Things” 01:14 Now playing Cameron Diaz is back, here are 5 of her most memorable roles Yesterday 1:23PM 01:46 Now playing Kim Fields discusses “The Upshaws” and her personal facts of life Wednesday 6:39PM "Happy Valley" ends on a terrifying note that calls to mind the lapel-grabbing season opener, as well as the Apollo 24/25 disasters of "Bent Bird Ego, duty, and self-sacrifice were the keynotes this week, with Ed (Joel Kinnaman), Danielle (Krys Marshall), Advertisement The packed eight-minute cold open—tense, insouciant, triumphant—reminded us why we love For All Mankind : the way it juggles humor, shiny F/X, Phoenix is in the lead. Sojourner One 's zooming along second. The Soviets' (not so imaginatively named) Mars-94 is pulling up third. At Helios Mission Control, Dev, tasting victory,… Read full this story
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For All Mankind gives us a thrilling drag race in space have 368 words, post on www.avclub.com at July 1, 2022. This is cached page on wBlogs. If you want remove this page, please contact us.